Digital I/O & Processing CardsĨ AES3 I/O Card Add eight line AES3 inputs and outputs (16 channels), with built-in sample rate conversion.ĭual SDI/HD/3G Card Add 2 x 16 channels of SDI/HD/3G connections (embed/de-embed) with built-in sample rate conversion.ġ28-Channel IP Audio Dante Card Add up to 128 channels of high-density, low-latency digital audio using Dante (128 channels at 44.1 kHz or 32 channels at 192 kHz)Ħ4-Channel IP Audio Dante Module Add up to 64 channels of low-latency digital audio using Dante (64 channels at 44.1 kHz or 16 channels at 192 kHz).ĭual MADI I/O Card Add 128 channels of MADI inputs and outputs through two optical SFP ports to support audio transmission across any MADI device. Together there is very little you can not achieve to get the right signal, in the right format to the right location.Ĩ Line Pristine AD Card (input) Add eight channels of line-level analogue inputs for connecting preamps, keyboards, signal processors, mixers, and other gear.Ģ Mic/Line Pristine AD Card (input) Add two channels of analogue inputs and mic preamps with relay-based gain circuit-an ideal low-cost option for talkback and tracking.Ĩ Mic/Line Pristine AD Card (input) Add eight channels of analogue inputs and mic preamps with relay-based gain circuit, providing the utmost transparency and clarity.Ĩ Pristine DA Card (output) Add eight channels of line-level analogue outputs with an output level control, delivering the utmost audio transparency and clarity. The MTRX and its DADman control software become the centre of your audio routing and monitoring studio world. It should be stressed that the MTRX system is not just about audio inputs and outputs. And if you’re mixing Dolby Atmos or other immersive audio format, the SPQ Speaker Processing Card can optimise your monitoring experience. You can mix and match up to six analogue I/O cards to support up to 48 analogue channels per MTRX interface, design an all-digital box with up to eight digital I/O cards (supporting up to 1,088 Dante channels or 1,216 MADI channels when maxed out with all available cards and modules), or configure it with any combination of analogue and digital I/O. If, having read and watched about these units you are interested in getting a quote to buy your own then we recommend you contact you nearest pro audio dealer who we are sure will be more than happy to help you.Īvid MTRX features eight pairs of AES/EBU I/O and 64 channels of MADI I/O as standard, but otherwise it comes empty for you to configure, enabling you to completely customise the audio interface with up to eight option cards for your unique music and/or audio post production workflow. The Bottom Line (At The Top)ĭue to the very nature and complexity of these systems we have not included any pricing information for any of the base rack units or option cards in this article. Some have their own “sound” but that sound is not going to disappoint you. I have used and recorded with many of them and they all sound amazing. However, take it from me, with any of the systems listed below, one thing you don’t have to worry about is audio quality. The downside to all this flexibility is an often eye-watering price tag. These units are far from what could be called off the shelf. We are looking at the ability to configure the I/O and connectivity to your needs in a bespoke unit, so in this case one size definitely does not fit all. Form factor however is not the defining factor here. In this article, we take a quick look at several of what could be the finest audio interfaces available today. Some of this I/O you may need but sometimes you may want something you can configure to your individual requirements. Modern audio interfaces are packed with features including volume controls for your main monitor speakers, headphone outputs and all manner of different I/O in many and varying digital and analogue formats. Its main job is to route audio and other signals like clock and MIDI into and out of your DAW software. A fully featured audio interface is one of the most important components of the modern recording environment, be that a fully fledged studio or your spare bedroom.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |